In my opinion, the smallHD display tends to have a slight green cast. If you have an analog audio input, the audio will be recorded to channels 1/2, with digital audio recorded on channels 3/4. If you don’t need to shoot in Log, (this is my personal opinion so feel free to agree or disagree) then I don’t actually see a big advantage in recording externally in a lot of scenarios. It would have also been nice to have seen Atomos incorporate some sort of built-in locking connector for the HDMI ports. Sometimes I'd get 2-5 mins in between these stop/start incidents and sometimes I'd get 5 of them within 30 seconds. The higher ppi of the Ninja V and the smaller 5″ screen make the images a lot sharper and more detailed when compared to the Shogun Inferno or Ninja Inferno. Each frame is saved as a 1920 x 1080 still in the PNG format. It will wipe all data off the drive (which may also be useful as an additional security measure) and reset it back as close as possible to factory conditions. I at first bought the WD Blue 3D nand 500GB for use with my a7s3 and Ninja V to record ProRes RAW 4k 60p as Atomos stated in their official ssd 'compatibility' list, it should be sufficient for ProRes Raw 4k 60p. In this buying guide we’ve rounded up all the current interchangeable lens cameras costing around $2000 and recommended the best. This is a really weird way of doing things. For new shooters, the way false color is displayed on the Ninja V may be confusing. This criticism is not only aimed at Atomos, as there are so many manufacturers who don’t include proper, detailed instruction manuals with their products. The AtomX SSDmini drives are able to record up to 150 minutes of 4K ProRes. Audio delay is caused when recording to external sources. If anyone knows of an ssd that will handle it, please let me know. Alongside SSDmini we also qualify a range of 2.5-inch SSDs that can be used in conjunction with the MasterCaddy III which are required when using the ATOMOS CONNECT. With a bigger battery and better video capabilities, the Fujifilm X-S20 could be the vlogging machine content creators have been waiting for. With its weight of 11.3 oz (320 g) you can actually attach it directly to a cold shoe on your camera, something I would never do with a larger, and heavier Ninja or Shogun Inferno. I was doing some product filming at home today and my camera kept overheating whenever I had my Atomos Ninja V attached (used as external monitor only). This is important because the Ninja V doesn’t extend out that far from the edges of your camera. Again on the Ninja V, this input is being displayed as getting recorded onto channel 1. AtomHDR Mode with 10-Stop Dynamic Range. If you start lifting up your exposure because you think its cool to monitor in HDR and then you hand your material off to a client who is going to edit and grade it for a REC709 delivery you won’t be getting any calls back for future work. 10-Bit Exterior Viewable Monitor. It could also be used by owners of small digital cinema cameras such as the Canon C100 Mark II and the Sony FS5. Whether this is a design fault or a trade-off in giving shooters a bright HDR display and internal UHD recording who knows. The Ninja V is able to detect when the drive is under stress and it will recover from any break in a recording by waiting until the drive is ready to continue, and then resuming from that point. Atomos devices have always been pretty power hungry devices, especially the ones with bright displays, so how does the Ninja V fair? The popular ATOM HDR feature as well as viewing LUTS for log gammas are also available with the Ninja V. All the usual monitoring tools are present on the Ninja V, such as false color, waveform, vectorscope, focus peaking, 2:1 zoom etc. When recording 4K the reason is usually related to drive performance which the drive for a number of reasons cannot keep up with the required write speed. The professional caliber monitoring tools make framing, exposure, and focusing a breeze. Because it is. Above you can the difference at 4x magnification between the Ninja V and the Shogun Inferno. The display settings allow for a number of adjustments to make certain your Ninja V+ functions equally well in darker environments. This provides extended recorded times for long form productions or recording events. An optional Atomos accessory is a D-Tap/P-Tap connector to 2.1mm DC barrel cable. What I do like is that when you are recording a warning screen will come up telling you that the battery is getting low. They support up to 4TB storage, sequential read speeds of up to 550MB/s and write speeds up to 500MB/s. What I found I needed to do was to select the headphone button for tracks 3 and 4 and then this would show the audio meters on the screen. I found that the Ninja V seems to have a higher pitched fan noise that makes it a little more noticeable than the Shogun Inferno. These results are from internal testing at . Being able to load up your own LUTs on the Ninja V is great, but I would have liked to have seen a range of basic LUTs for various cameras pre-installed in the Ninja V. There is also a nice split screen option where on one half of the screen you can display the original Log image and on the other the image with the LUT you have selected. I have NINJA V with latest 10.3 firmware and i need it to capture PS4Pro HDR games. The trouble with recorder/monitors is that you need to have so many more menus and information on the screen than what a stand-alone monitor requires. The AtomRemote app for iOS and macOS offers an array of external controls for ATOMOS CONNECT for Ninja V+. Ninja V+ allows you to record HDMI RAW input up to 8K at 30fps, whilst simultaneously looping out standard YCC video via HDMI to non-RAW compatible devices. This means there is less chance of it getting in your way or get knocked around when you are shooting. While the Shogun Inferno was brighter, its screen seemed to be more reflective than that of the Ninja V. When using the 2X zoom feature the pixels don’t look soft and this makes focusing really easy. Often files are left in the trash or garbage partition of the drive occupying drive cache and this can effect drive performance. Clips can be reviewed on any device and editors can start cutting high-quality proxy files (with matching timecode and file names) before anyone calls it a wrap. Speaking of HDR, Atomos has changed the way HDR is being displayed with the new AtomOS. We use cookies for authentication and core functionality. Arri Alexa Wide Gamut Canon CLog / CLog2 / Clog3 Finally, there is a Flip screen option allows you to invert the screen if you need to. Combining the striking looks and comprehensive feature set that continues to drive the success of the original Ninja V, the more powerful Ninja V+ sets new benchmarks for performance and compatibility. Then I Set the video encoding to ProRes LT and enabled AutoHDR, and disabled capturing Analog audio which is ON by default, thats it. Hopefully, my experience troubleshooting Skippy appearing on my Ninja V helps you. Rec709 / BT.2020 I’m still a stickler for physical buttons for key monitor features. We would not advise using mechanical disks if there is a likelihood that they might be shaken or dropped onto a hard surface. It ships with a 1/4-20 adapter, so that Ninja V+ can easily be adapted and mounted on industry-standard equipment from a wide range of manufacturers. The Ninja V is a much nicer size and weight and makes for a more user-friendly experience if you are shooting with a mirrorless or DSLR camera. There is an optional SSDmini adaptor that allows CFAST II cards to be used, enabling you to recycle older media cards or align with your camera media. Frame.io brings powerful tools to the Avid Media Composer workflow. The PIX-E5 has the advantage of having both HDMI and SDI outputs, but it can’t display any type of HDR pictures. FujiFilm F-log By rejecting non-essential cookies, Reddit may still use certain cookies to ensure the proper functionality of our platform. We've selected a group of cameras that are easy to keep with you, and that can adapt to take photos wherever and whenever something memorable happens. Editing with Final Cut Pro provides an unparalleled real-time performance and opportunities to adjust exposure, white balance, and ISO settings for each clip in post. When you turn on the Ninja V with an AtomX Ethernet/NDI module installed and plug in your network cable, your source will be automatically discovered on the NDI network. What I did:Reset NINJA V to defults, took out the SSD and run Diskpart Clean command in windows, it cleaned the SSD from all partitions, then I pluged it to NINJA and let it create main partition and format it. Above you can see the differences between how the old and the new Atom OS look. --Thoughts, Musings, Ideas and Images from South Gippslandhttps://australianimage.com.auYouTube. Atomos has built-in quite a few display function options on the Ninja V. There is finally a Display off function allows for the screen to be turned off without affecting the operation of the unit. It doesn’t feel as plasticky as other Atomos products and this is probably because it is being made out of a combination of aluminum and polycarbonate. Atomos now gives you the option to bake in a LUT when you are recording. Like the larger, 7-inch Shogun CONNECT, the power of Ninja V+ is provided by the latest Atomos silicon, the AtomIC3. Mar 15, 2021 Hi there, I'm considering shooting some underwater footage using a Sony A7S III outputting RAW externally to an Atomos Ninja V via HDMI. The majority of LCD screens on cameras are not very bright and almost impossible to view in sunny conditions outdoors. I keep getting questions about a follow up so here it is!I've also po. By deselecting the monitor icon on the screen you can remove all the monitoring icon tools and just be left with your timecode, audio meters, and waveform. But there’s no need to be because all you have to do to convert megabits to megabytes is divide by 8. There are a lot of photo/video cameras that have found a role as B-cameras on professional film productions or even A-cameras for amateur and independent productions. This is something that won’t happen when you use the Ninja V, as long as you attach a compatible monitor arm or accessory that uses an ARRI 2-pin 3/8″. The ultimate expansion module for Ninja V+, ATOMOS CONNECT includes an SDI interface, which adds support for a new category of camera and can be used to cross convert a 12G-SDI signal to the HDMI output, creating more utility and workflow options. With support for Atomos . Adobe C2C is being used by production teams every day to share footage from the shoot with remote team members. This monitor can record Apple ProRes RAW up to DCI 4K60 directly from the sensor of select cameras. This brings up another menu that allows you to change your image. This is a nice feature as it allows you time to make sure you stop your recording and change over the battery. Frame.io brings powerful tools to the Avid Media Composer workflow. To save space and support longer recordings, many cameras record compressed 4:2:0 8-bit video internally. Ninja V also allows you to record HDMI RAW inputs up to 6K at 30fps, whilst simultaneously looping out standard YCC video via HDMI to non-RAW compatible devices. I made sure of that the HDMI connection was in properly on both sides, as well as the SSD connection. 4K UHD; 24/25/30/50/60p With the 1TB Team Group SSD inserted, the Ninja V reported that I could record 45 minutes and 5 seconds of 4.2K30 12-bit ProRes RAW, at least in theory. This is confusing, to say the least. Frames can be grabbed during playback and recording with a tap of the new Frame Grab button. If you haven’t used an Atomos device before or the AtomOS operating system you may find it all a bit confusing. Another thing, audio is only stereo so from this side its not pushing any boundaries. While many shooters are still hoping for a smaller 4K recorder version of the Ninja Star, the Ninja V is certainly a step in the right direction. With Ninja V+ you can work confidently to perfect every shot. The connection is nice and solid and it allows you to run the Ninja V continually without fear of losing power. If you enable this option, a CUSTOM LOOK icon will flash in the top corner of the monitor and the LUT cannot be activated during recording to avoid any potential issues with the recorded content. This allows the Ninja V to know exactly what it should be displaying. If you select this option, the recording will bake the LUT look in, but what you need to know, is if you do this, it is a non-reversible process. The FOCUS OLED does have a higher 402 ppi, but it still only features a single HDMI in and no HDMI out. Here are a few things to bear in mind: • Disk drive data rates tend to be given in megabytes per second, and codec data rates are normally given in megabits per second. For outdoors use the Ninja V is very viewable in a lot of conditions, although if you have full sun hitting directly on the back of the screen it will be hard to see. Granted, I’ll probably want to pick up a coiled HDMI cable ahead of any field work! Ninja V+ offers the power and flexibility that means it can be paired with an unprecedented range of cameras on any type or size of production. There are a number of videos available on YouTube explaining its features and the device appears to be quite amazing for the price. Adobe C2C is being used by production teams every day to share footage from the shoot with remote team members. On the back of the Ninja V there is one vent where the SSD goes, and another at the top of the battery slot area. I do however realize, that would have been impossible with the Ninja V as that real estate is taken up by the SSD space and battery. All information correct at time of publishing. Recording Externally can be tricky if you don't know how your settings will effect your recording. It’s nice to have a HDMI out. No, it’s not, but in my opinion its the best product that Atomos has ever produced. This means you can choose the frame size, frame rate, and codec that best suits the needs of your workflow and delivery requirements. They support up to 4TB storage, sequential read speeds of up to 550MB/s and write speeds up to 500MB/s. The attention to detail is where I feel Atomos have really improved. The ATOMOS CONNECT accessory for Ninja V+ opens the C2C workflow to a significantly wider range of digital cinema, mirrorless, and DSLR cameras, allowing more filmmakers than ever before engage in cloud-based workflows and experience the future of production. PQ10k Threaded view Volstruis • New Member • Posts: 1 Sony A7S III + Ninja V: Will This Overheat? When enabled the input is constantly been recorded with approximately the last 8 seconds in HD and 2-3 seconds in 4K being cached into memory. * ATOMOS CONNECT required. • DC input module I contacted Atomos to ask them whether they plan to release a full manual and they told me that yes, a full manual should be available in the next week or so. Any idea why the sound desync and why i get the yellow kangaroo? It happened just randomly at first, but eventually everytime I trigger record button. It’s advised that you archive your content and reformat the drive before each shoot. Ninja V+ supports removable SSD drives which provide the space and sustained performance to meet these needs. See everything exactly how you want it with ATOMOS. UPDATE: I have now seen the full manual for the Ninja V that will be available online. In saying this, the Sony NP-F970 47Wh batteries that I own are quite old, so you would probably get longer run times with newer batteries. This is particularly important when recording 4Kp50/60.
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